A few weeks ago Silas House was in the area reading excerpts from his new book Eli the Good. Unfortunately my schedule did not allow me to attend but some friends of my went and brought back a good report of the evening along with the book – signed. I’m rather fond of House’s books, having read Clay’s Quilt and A Parchment of Leaves. I like the way House tells stories – the words he uses and how he uses them. That his stories are about persons and places in rural Kentucky helps me identify with his characters and, a real sense, the author himself.
Eli the Good is a book unlike any of the others I’ve read by House. He is more generous with his words, offering descriptions about descriptions. His language is poetic and reflective. Trees have heart beats and remember, the earth moves and breathes and ‘places’ tell stories. Some readers would say House is plain wordy in this book, but I sensed him intent on doing more than just telling the story of a young boy who struggled with his parents and hence himself. He seemed to be engaging in a public discourse on the moral nature of war and freedom and their affect on persons/families (saying something about our times).
Eli’s father, Stanton, fought in Vietnam and, years later after his return, he continued to struggle to understand the strangeness of his war-torn life. Nightmares plagued him, to the point that he screamed and even attacked his sleeping wife. The memories of his experiences all but consumed him, and he opened himself only to his wife, Loretta. This is clear from the loving, even playful relationship they shared.
Josie is Eli’s sister. She learns that Stanton is not her father; he adopted her after Loretta and he married. It is of little consequence to Josie at this point in her life that her ’step’ father has loved and cared for her as if she was his own. She is hurt that her parents have kept this secret from her until her adolescent years. She wears her rebellion and hurt in the flag decorated pants that she wears, which her mother despises because, in Loretta’s mind (and perhaps Josie’s), they bring insult to Stanton’s war efforts in Vietnam.
Nell is another character who figures into Eli’s story. Nell is Stanton’s sister who, while Stanton was away fighting the war, she was home protesting it. She comes to Eli’s home sick with cancer, but however much Stanton disapproves of Nell’s life of protest, he opens his home and care to her.
Nell gives Eli the name: Eli the Good. This is interesting given that Eli spends the book reading and reflecting on the letters his father wrote to Loretta from Vietnam, which he takes in secret and even deception. He comes to know his father by intruding into the life his father finds to painful to reveal, yet too real to forget. Eli learns how to talk to his father and how to keep his distance. He comes to know his mother as more than a lifelong partner in marriage; she is in fact Stanton’s ‘Sabrina’. He realizes that Nell is not an adversary but Stanton’s lost voice, one he no longer has any claim to.
There are more things to say about the book that maybe I will say later or at least to myself. House’s writing in this book reminded of Wendell Berry’s. I recommend it.
Or to say it differently, I’m going bald! Since I have always kept my hair short (practically shaved), I’m not too upset. Today, while looking at my mug in the mirror, I noticed I have one lone hair that has fallen away from the group. In the front, where my hairline used to be some years ago, one hair remains. He grows and bends forward, never looking back at the family of hairs he leaves behind. He is my Abraham (cf. Genesis 12).
